SCENE I. Before PROSPERO’S cell.
Enter PROSPERO in his magic robes, and ARIEL
In the same fashion as you gave in charge,
Just as you left them; all prisoners, sir,
In the line-grove which weather-fends your cell;
They cannot budge till your release. The king,
His brother and yours, abide all three distracted
And the remainder mourning over them,
Brimful of sorrow and dismay; but chiefly
Him that you term’d, sir, ‘The good old lord Gonzalo;’
His tears run down his beard, like winter’s drops
From eaves of reeds. Your charm so strongly works ’em
That if you now beheld them, your affections
Would become tender.
And mine shall.
Hast thou, which art but air, a touch, a feeling
Of their afflictions, and shall not myself,
One of their kind, that relish all as sharply,
Passion as they, be kindlier moved than thou art?
Though with their high wrongs I am struck to the quick,
Yet with my nobler reason ‘gaitist my fury
Do I take part: the rarer action is
In virtue than in vengeance: they being penitent,
The sole drift of my purpose doth extend
Not a frown further. Go release them, Ariel:
My charms I’ll break, their senses I’ll restore,
And they shall be themselves.
Ye elves of hills, brooks, standing lakes and groves,
And ye that on the sands with printless foot
Do chase the ebbing Neptune and do fly him
When he comes back; you demi-puppets that
By moonshine do the green sour ringlets make,
Whereof the ewe not bites, and you whose pastime
Is to make midnight mushrooms, that rejoice
To hear the solemn curfew; by whose aid,
Weak masters though ye be, I have bedimm’d
The noontide sun, call’d forth the mutinous winds,
And ‘twixt the green sea and the azured vault
Set roaring war: to the dread rattling thunder
Have I given fire and rifted Jove’s stout oak
With his own bolt; the strong-based promontory
Have I made shake and by the spurs pluck’d up
The pine and cedar: graves at my command
Have waked their sleepers, oped, and let ’em forth
By my so potent art. But this rough magic
I here abjure, and, when I have required
Some heavenly music, which even now I do,
To work mine end upon their senses that
This airy charm is for, I’ll break my staff,
Bury it certain fathoms in the earth,
And deeper than did ever plummet sound
I’ll drown my book.
Re-enter ARIEL before: then ALONSO, with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO they all enter the circle which PROSPERO had made, and there stand charmed; which PROSPERO observing, speaks:
A solemn air and the best comforter
To an unsettled fancy cure thy brains,
Now useless, boil’d within thy skull! There stand,
For you are spell-stopp’d.
Holy Gonzalo, honourable man,
Mine eyes, even sociable to the show of thine,
Fall fellowly drops. The charm dissolves apace,
And as the morning steals upon the night,
Melting the darkness, so their rising senses
Begin to chase the ignorant fumes that mantle
Their clearer reason. O good Gonzalo,
My true preserver, and a loyal sir
To him you follow’st! I will pay thy graces
Home both in word and deed. Most cruelly
Didst thou, Alonso, use me and my daughter:
Thy brother was a furtherer in the act.
Thou art pinch’d fort now, Sebastian. Flesh and blood,
You, brother mine, that entertain’d ambition,
Expell’d remorse and nature; who, with Sebastian,
Whose inward pinches therefore are most strong,
Would here have kill’d your king; I do forgive thee,
Unnatural though thou art. Their understanding
Begins to swell, and the approaching tide
Will shortly fill the reasonable shore
That now lies foul and muddy. Not one of them
That yet looks on me, or would know me Ariel,
Fetch me the hat and rapier in my cell:
I will discase me, and myself present
As I was sometime Milan: quickly, spirit;
Thou shalt ere long be free.
ARIEL sings and helps to attire him
Where the bee sucks. there suck I:
In a cowslip’s bell I lie;
There I couch when owls do cry.
On the bat’s back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough.
Why, that’s my dainty Ariel! I shall miss thee:
But yet thou shalt have freedom: so, so, so.
To the king’s ship, invisible as thou art:
There shalt thou find the mariners asleep
Under the hatches; the master and the boatswain
Being awake, enforce them to this place,
And presently, I prithee.
Whether thou best he or no,
Or some enchanted trifle to abuse me,
As late I have been, I not know: thy pulse
Beats as of flesh and blood; and, since I saw thee,
The affliction of my mind amends, with which,
I fear, a madness held me: this must crave,
An if this be at all, a most strange story.
Thy dukedom I resign and do entreat
Thou pardon me my wrongs. But how should Prospero
Be living and be here?
If thou be’st Prospero,
Give us particulars of thy preservation;
How thou hast met us here, who three hours since
Were wreck’d upon this shore; where I have lost–
How sharp the point of this remembrance is!–
My dear son Ferdinand.
In this last tempest. I perceive these lords
At this encounter do so much admire
That they devour their reason and scarce think
Their eyes do offices of truth, their words
Are natural breath: but, howsoe’er you have
Been justled from your senses, know for certain
That I am Prospero and that very duke
Which was thrust forth of Milan, who most strangely
Upon this shore, where you were wreck’d, was landed,
To be the lord on’t. No more yet of this;
For ’tis a chronicle of day by day,
Not a relation for a breakfast nor
Befitting this first meeting. Welcome, sir;
This cell’s my court: here have I few attendants
And subjects none abroad: pray you, look in.
My dukedom since you have given me again,
I will requite you with as good a thing;
At least bring forth a wonder, to content ye
As much as me my dukedom.
Here PROSPERO discovers FERDINAND and MIRANDA playing at chess
Sir, she is mortal;
But by immortal Providence she’s mine:
I chose her when I could not ask my father
For his advice, nor thought I had one. She
Is daughter to this famous Duke of Milan,
Of whom so often I have heard renown,
But never saw before; of whom I have
Received a second life; and second father
This lady makes him to me.
Was Milan thrust from Milan, that his issue
Should become kings of Naples? O, rejoice
Beyond a common joy, and set it down
With gold on lasting pillars: In one voyage
Did Claribel her husband find at Tunis,
And Ferdinand, her brother, found a wife
Where he himself was lost, Prospero his dukedom
In a poor isle and all of us ourselves
When no man was his own.
O, look, sir, look, sir! here is more of us:
I prophesied, if a gallows were on land,
This fellow could not drown. Now, blasphemy,
That swear’st grace o’erboard, not an oath on shore?
Hast thou no mouth by land? What is the news?
The best news is, that we have safely found
Our king and company; the next, our ship–
Which, but three glasses since, we gave out split–
Is tight and yare and bravely rigg’d as when
We first put out to sea.
If I did think, sir, I were well awake,
I’ld strive to tell you. We were dead of sleep,
And–how we know not–all clapp’d under hatches;
Where but even now with strange and several noises
Of roaring, shrieking, howling, jingling chains,
And more diversity of sounds, all horrible,
We were awaked; straightway, at liberty;
Where we, in all her trim, freshly beheld
Our royal, good and gallant ship, our master
Capering to eye her: on a trice, so please you,
Even in a dream, were we divided from them
And were brought moping hither.
Sir, my liege,
Do not infest your mind with beating on
The strangeness of this business; at pick’d leisure
Which shall be shortly, single I’ll resolve you,
Which to you shall seem probable, of every
These happen’d accidents; till when, be cheerful
And think of each thing well.
Aside to ARIEL
Mark but the badges of these men, my lords,
Then say if they be true. This mis-shapen knave,
His mother was a witch, and one so strong
That could control the moon, make flows and ebbs,
And deal in her command without her power.
These three have robb’d me; and this demi-devil–
For he’s a bastard one–had plotted with them
To take my life. Two of these fellows you
Must know and own; this thing of darkness!
Sir, I invite your highness and your train
To my poor cell, where you shall take your rest
For this one night; which, part of it, I’ll waste
With such discourse as, I not doubt, shall make it
Go quick away; the story of my life
And the particular accidents gone by
Since I came to this isle: and in the morn
I’ll bring you to your ship and so to Naples,
Where I have hope to see the nuptial
Of these our dear-beloved solemnized;
And thence retire me to my Milan, where
Every third thought shall be my grave.
Aside to ARIEL
SPOKEN BY PROSPERO
Now my charms are all o’erthrown,
And what strength I have’s mine own,
Which is most faint: now, ’tis true,
I must be here confined by you,
Or sent to Naples. Let me not,
Since I have my dukedom got
And pardon’d the deceiver, dwell
In this bare island by your spell;
But release me from my bands
With the help of your good hands:
Gentle breath of yours my sails
Must fill, or else my project fails,
Which was to please. Now I want
Spirits to enforce, art to enchant,
And my ending is despair,
Unless I be relieved by prayer,
Which pierces so that it assaults
Mercy itself and frees all faults.
As you from crimes would pardon’d be,
Let your indulgence set me free.
RE-BLOGGED FROM http://shakespeare.mit.edu/tempest/full.html
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The Tempest -William Shakespeare- By No Rain, No Rainbow
I read this story in high school. I don’t prefer reading fiction, and The Tempest is a fantasy story so I didn’t really like this story. However, I like the characters in this story so I decided to read this book again.
Alonso, the King of Naples is on the way home from his daughter’s wedding at Tunis. He is with Ferdinand, Sebastian, Antonio, the Duke of Milan, and Gonzalo. The ship encountered with a storm. Prospero, who was usurped his place of Duke of Milan by his brother, and his daughter Miranda are watching the ship in the harsh storm from an island. He told her how they came to be on this islad. Twelve years ago, Prospero was usurped his place, but with Gonzalo’s help, he escaped on a boat with Miranda and books of magic. They reached this island, meeting a deformed and savage creature,Caliban, which they made as their slave. There are also spirits living on this island. Ariel had been imprisoned in a tree trunk by Caliban’s mother, the witch Sycorax who is already dead. Prospero used his magic to save him and made the spirits to serve him.
The passengers on the ship reached this island seperately. Ferdinand met Miranda there, and they fell in love. Prospero took control over him. Ariel asked Prospero to set him free, and he promised to do so after he has done what he wants to do. Ariel and Caliban leads the party to Prospero’s cell. On the way, Antonio and Sebastian plans to kill Alonso so that Sebastian could be the king.
Prospero finally accepts Miranda and Ferdinand’s marriage. He gathers Alonso, Antonio, and Sebastian at his cell and reveals himself. He forgives them and Caliban, and set Ariel free. Finally, he made the party back to the ship and every one is happily ever after….
I thought this story is very mysterious. I wonder what Shakespeare wanted to tell the reader from this story. But, in my opinion, I thought he may be wanted to tell the importance of forgiveness or how human could change in any way. I recommend this book to people who like fiction and fantasy stories.